George Washington hated having his portrait painted, but as president of the United States, he knew his image needed to live on. This nonfiction picture book explores how artist Gilbert Stuart created Washington's most lasting and recognized portrait--the one that's used on the one-dollar bill.
George Washington and artist Gilbert Stuart didn't always see eye-to-eye, but both men knew the importance of legacy and the power of art. Though George disliked having his portrait painted--which took days and days to complete--he knew his place in history would require people to know his face. Fortunately, Gilbert Stuart's unique way of painting didn't compel his subjects to sit for hours on end--in fact, he encouraged them to move around and even bring friends to chat with.
Capturing the soul of each subject, his portraits were unlike any other artists'. And Gilbert Stuart's one-of-a-kind portrait of Washington stands the test of time--it's the one that's used on the one-dollar bill.
K-Gr 4--George Washington did not like to sit still. Fortunately, portrait painter Gilbert Stuart didn't need him to. In fact, Stuart would joke and tell stories and let his subjects walk around the room, and even invite family and friends to join them. Washington's stern expression and pinched mouth (due to his infamous ill-fitting false teeth), for example, went from "glum to glad" when Stuart realized he loved to talk about horses. Stuart painted portraits of many luminaries (lords and ladies, admirals and artists, diplomats and dignitaries), but by far the most famous one was of Washington, which became the basis for the engraving used on the dollar bill. Expressive language and delightful acrylic, pencil, and digital illustrations, which include images from actual portraits, combine to make a lively and interesting biography of a painter and a glimpse into a little-known event in the life of the first president. The book includes a time line, information on Washington's dental woes, an explanation of why the image on the dollar bill is reversed from the original portrait, a bibliography, and source notes. VERDICT Pair this with a traditional biography of Washington for a refreshing look into the legacy of both the president and the painter. Highly recommended.--Sue Morgan
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