by Calvin Alexander Ramsey (Author) Floyd Cooper (Illustrator)
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At the core of this expressively illustrated fusion of fact and fiction is The Negro Motorist Green Book, first published in 1936, which listed hotels, restaurants, and other businesses that would serve African-Americans during an era when many would not. Charged with emotion, playwright Ramsey's story opens on an upbeat note, with Ruth and her parents embarking on a cross-country trip in their new 1952 Buick, traveling from Chicago to Grandma's home in Alabama. The family's spirits plummet when they are turned away from a service station restroom and a hotel, and see "White Only" signs in restaurant windows ("It hurt my feelings to be so unwelcome," says Ruth). However, a copy of the Green Book they purchase soon puts them in contact with friendly, helpful people all along the way. A sense of resiliency courses through Cooper's (Back of the Bus) filmy illustrations—beatific portraits of the Esso worker who sells the family their Green Book and the owner of a "tourist home" where the family spends the night radiate strength, kindness, and hope for a better future. Ages 7-11. (Nov.)
Copyright 2010 Publishers Weekly Used with permission
Gr 1-4--Ruth's father just bought a beautiful new 1952 Buick, making it a big day for this African-American family. They are going from Chicago to Alabama to visit Grandma. Ruth is very excited to be traveling, but the family encounters "whites only" restrooms, hotels, and restaurants along the way. It's very discouraging and sometimes scary, but they learn that some friendly faces may be found at local Esso stations, which are among the few franchises open to black businessmen. At a station near the Georgia border, they are introduced to Victor H. Green's The Negro Motorist Green Book, an early AAA guidebook of sorts that listed establishments or homes that would serve African Americans--be it for general services, housing, or meals. Ruth eventually becomes the Green Book specialist in the family, helping to guide them to an auto-repair shop or an inn that would welcome them. But, the best part of the trip is finally arriving at Grandma's, as illustrated by the loving expressions on all faces. A one-page concluding summary discusses the importance of The Green Book, which was in use from 1936-1964, when the Civil Rights Act was finally signed, banning racial discrimination. The realistic illustrations are done in oil wash on board, a self-described "subtractive process." The picture is painted, then erased to "paint" the final product. Overall, there is a sepialike quality to the art, giving the impression of gazing at old color photos. This is an important addition to picture book collections, useful as a discussion-starter on Civil Rights or as a stand-alone story.--Roxanne Burg, Orange County Public Library, CA
Copyright 2010 School Library Journal, LLC Used with permission.An ever-expanding system of roads and highways beckoned to motorists in the mid-1900s, but the glamour of the open road was often illusory for African-American citizens, particularly those traversing the Jim Crow South. In this fictional account of a family trip, Ramsey introduces young listeners to the blatant discrimination facing those travelers, but more importantly, to the network of businesses and individuals who opened their doors with welcome assistance. The Negro Motorist Green Book, devised and expanded by Victor Green, was an invaluable aid, listing black-owned service stations, restaurants, and overnight accommodations. As narrator Ruth and her parents make their way from Chicago to her grandmother in Alabama, the girl becomes adept at using their seventy-five-cent resource and passes along information about the book to another beset traveler they meet at an inn. Cooper's soft, stippled illustrations capture both the pathos of the bigotry and the warmth of the support the family encounters, and a substantial closing note on the Green Book itself invites the audience to explore it further online. This will be a fascinating addition to any civil rights picture-book collection and perhaps even a quick intro to a classroom novel unit on The Watsons Go to Birmingham—1963 (BCCB 1/96). —The Bulletin of the Center for Children's Books