by Gretchen Woelfle (Author) Alix Delinois (Illustrator)
"All men are born free and equal."
Everybody knows about the Founding Fathers and the Declaration of Independence in 1776. But the founders weren't the only ones who believed that everyone had a right to freedom. Mumbet, a Massachusetts slave, believed it too. She longed to be free, but how? Would anyone help her in her fight for freedom? Could she win against her owner, the richest man in town?
Mumbet was determined to try.
Mumbet's Declaration of Independence tells her story for the first time in a picture book biography, and her brave actions set a milestone on the road toward ending slavery in the United States.
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A slave named Mumbet, who successfully sued for her own freedom in 1781 Massachusetts, is the subject of this powerfully told biography. Suffering under a cruel mistress, Mumbet seeks solace in the freely running rivers of the landscape and in her own mind. Woelfle draws clear parallels between the Massachusetts colonists' discontent and the freedom Mumbet craves: " 'The King means to take away our rights!' one man shouted. Do I have rights? wondered Mumbet." Delinois's thick layers of paint and vibrant palette infuse even the story's upsetting moments with hopefulness, and Mumbet herself glows with determination and integrity. An author's note addresses how many details of Mumbet's life were lost to history, yet her story stands as a potent reminder that the freedoms that accompanied the American Revolution left many behind. Ages 6-10. (Feb.)
Copyright 2013 Publishers Weekly, LLC Used with permission.Gr 2-4--Elizabeth Freeman, known as "Mumbet," was an African American slave in 18th-century Massachusetts. The Massachusetts Constitution of 1780 included the provision, "All men are born free and equal, and have certain natural, essential, and unalienable rights." Using that document as a basis, Mumbet, with the support of a young lawyer named Theodore Sedgwick, challenged the legality of slavery. As a result of their efforts, in 1783 slavery was declared unconstitutional and 5000 slaves in the state gained freedom. Vividly colored illustrations reflect the generally hopeful tone of the story, while bold compositions and thickly layered paint suggest folk art. Freeman's strength of character is reflected in her determined facial expressions and strong stance. While her story is highly inspiring, details about her life are sketchy; information comes primarily from an account written by Catharine Maria Sedgwick, the daughter of Theodore. While this picture book is presented as nonfiction, the story itself is highly fictionalized. An author's note explains what is known about Mumbet and reminds readers that "History is fluid."--Lucinda Snyder Whitehurst, St. Christopher's School, Richmond, VA
Copyright 2014 School Library Journal, LLC Used with permission."This nonfiction picture book tells the story of Mumbet, later Elizabeth Freeman, a Massachusetts slave who was inspired by the American fight for freedom to sue her owner, Colonel Ashley, for her freedom—and won. The book incorporates historical incident, such as Mumbet's defense of her daughter against her mistress' blows, while adding an artistic (if occasionally stilted) fictionalized touch in Mumbet's recurring use of natural imagery; the story also foregrounds the inarguable contradiction between the growing discourse about liberty, especially the Massachusetts Constitution on which Mumbet bases her case, and the lot of the enslaved who labored for many ardent freedom fighters. The case is fascinating, emphasizing the destructive irony at the heart of the birth of America and making Mumbet an active and savvy architect of her own release, and this is likely to spur much discussion. Delinois' thickly painted, expressionist illustrations suggest Gregory Christie at times in the faces; however, their saturated colors are often garish and poses frequently stiff. Additionally, the focus on sweeping planes of color leaves details sometimes unarticulated and makes period housing and clothes improbably dazzling and tidy. End matter considerably enriches the narrative, with details about Mumbet's post-case life with her lawyer's family, notes on things still unknown about Mumbet, and a telling paragraph about the changes over the years in tours at the Ashley House, which now prominently discuss Mumbet and her case, in addition to a bibliography and website list." —The Bulletin of the Center for Children's Books
—Journal