by Jan Brett (Author) Jan Brett (Illustrator)
WorldCat is the world's largest library catalog, helping you find library materials online.
Brett’s latest holiday offering is set in northern Canada, featuring a cast of forest animals who celebrate Christmas together with handmade gifts left by their own special Santa.
On Christmas Eve, Big Snowshoe is explaining the holiday to his younger brother, Little Snow, who is experiencing his first holiday celebration. The older hare and the other animals describe the presents they have received from Santa in the past, though they have never seen him and don’t really know who he is. The animals decorate their Christmas tree as they speculate on Santa’s identity, suggesting other, larger animals, such as a polar bear or a moose. The main story takes place across the center of each spread, but in Brett’s signature structural design, on the side of each page is a separate panel that presents a secondary story. The frames of these detailed panels are done in the style of traditional quillwork, with intricately woven motifs and a central opening in each showing tiny, red-capped lemmings creating Christmas gifts from natural materials. The animals awaken as Christmas presents begin falling from the sky at midnight, and the final spread reveals the animals’ Santa as a snowy owl wearing a pointed, red cap and carrying a basket of handmade gifts.
Brett excels at snowy settings, and her legions of fans will enjoy this well-told tale accompanied by her usual highly detailed watercolor illustrations and skillfully integrated secondary story. (Picture book. 4-8)As she did in 1996's The Mitten, Brett evokes a wintry landscape filled with animals, distinguished by her signature level of meticulous detail. On his first Christmas Eve, Little Snow, a rabbit in a North Canadian forest, voices skepticism about the existence of the "animals' Santa." After all, no other animals have seen him or spotted his tracks in the snow. Even Little Snow's friends' descriptions of gifts Santa has left for them don't persuade Little Snow, who complains, "I think you are fooling me." As the animals speculate on Santa's identity, lemming "elves" are busy in sidebar panels, making birch bark drums, pinecone animals, and other gifts. Native American artwork created with porcupine quills inspired the distinctive patterns that frame these border scenes. The dramatic arrival of Santa--an exquisite snowy owl--is well worth the wait. Ages 3-5. (Oct.)
Copyright 2014 Publishers Weekly, LLC Used with permission.PreS-Gr 2--The woodland denizens of a northern Canadian forest can't wait for Christmas, because that's when their Santa secretly leaves gifts (heart-shaped stones, bells, acorns, and the like) for everyone. Big Snowshoe the rabbit is absolutely convinced of Santa's existence; Little Snow, his younger brother, is a bit more skeptical, and nothing Big Snowshoe or the other animals say as they decorate a Christmas tree make him feel any differently. Side panels on each page show lemming elves creating the various gifts. A minor accident on the frozen stream gives Big Snowshoe the idea to hang ice crystals on twigs, and the sound they make alerts everyone to the appearance of Santa, who is a snowy owl. As usual, Brett's illustrations are the highlight--lush and magical, filled with whimsical details that will reward repeated viewings. The story itself is adequate (though the twist in which the predator delivers gifts to his normal prey is ingenious) and could play a part in a nonreligious holiday program.--Mara Alpert, Los Angeles Public Library
Copyright 2014 School Library Journal, LLC Used with permission.As a child, Jan Brett decided to be an illustrator and spent many hours reading and drawing. She says, "I remember the special quiet of rainy days when I felt that I could enter the pages of my beautiful picture books. Now I try to recreate that feeling of believing that the imaginary place I'm drawing really exists. The detail in my work helps to convince me, and I hope others as well, that such places might be real."
As a student at the Boston Museum School, she spent hours in the Museum of Fine Arts. "It was overwhelming to see the room-size landscapes and towering stone sculptures, and then moments later to refocus on delicately embroidered kimonos and ancient porcelain," she says. "I'm delighted and surprised when fragments of these beautiful images come back to me in my painting."
Travel is also a constant inspiration. Together with her husband, Joe Hearne, who is a member of the Boston Symphony Orchestra, Jan visits many different countries where she researches the architecture and costumes that appear in her work. "From cave paintings to Norwegian sleighs, to Japanese gardens, I study the traditions of the many countries I visit and use them as a starting point for my children's books."