If Not for the Cat

At once elegant and droll, this fine collaboration spotlights various animals through 17 haiku, each set against a stunning full-spread, close-range illustration of the featured creature in its natural habitat. Author and artist tip their hats to Eastern traditions with the poetic form and with mix-media compositions that echo Chinese silkscreen. The book takes its title from the first line of the inaugural poem ("If not for the cat, / And the scarcity of cheese, / I could be content"), and Rand's (Here Are My Hands) wry image of a mouse looking out from the darkness that dominates the spread, safe behind the wall, to the whiskered snout of a cat perched by the mouse hole, provides ideal accompaniment. By contrast, the brilliantly lit scene that follows highlights a glorious tangle of nasturtiums visited by a hummingbird. Prelutsky's (Scranimals) versatile verse adopts a pleasing range of first-person voices. Against a symphony of blues, the words of the jellyfish emulate its motion as it seems to swim across the spread ("Boneless, translucent, / We undulate, undulate, / Gelatinously"). A moth asks ponderously, "How foolish I am./ Why am I drawn to the flame/ Which extinguishes?"; Rand visually links the color of the moth with the halo around the candle, making its attraction seem inevitable. Though it's not difficult to identify the critters (specified on the final page), younger children especially will have fun naming each species. Deceptive in their simplicity, these haiku will send aspiring wordsmiths off to try their own. Ages 3-up. (Oct.) Copyright 2004 Publishers Weekly Used with permission.

Gr 1-4 -Each of the 17 haiku in this collection explores the essence of an animal, the words forming a sort of riddle answered in Rand's accompanying double-page illustration. The title poem, "If not for the cat/And the scarcity of cheese, /I could be content," features a mouse looking at a bewhiskered nose through a hole; a jellyfish drifts across a spread in "Boneless, translucent, /We undulate, undulate, /Gelatinously." Prelutsky shows his command of word choice through a minimalist form that is perfectly matched by Rand's control of his mixed-media artwork to create a wonderful celebration of the art of haiku. This book, like George Shannon's Spring (Greenwillow, 1996) and Dawnine Spivak's Grass Sandals (Atheneum, 1997), shows the continuity and vitality of this ancient poetic form.-Kathleen Whalin, York Public Library, ME Copyright 2004 School Library Journal, LLC Used with permission.