The Three Pigs

Wiesner has created a funny, wildly imagined tale that encourages kids to leap beyond the familiar, to think critically about conventional stories and illustration, and perhaps to flex their imaginations and create wonderfully subversive versions of their own stories.

There's a lot going on here, but once you get your bearings, this is a fantastic journey told with a light touch.

Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape, they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brilliant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities—and that the range of story itself is limitless. Ages 5-up. (Apr.)

Copyright 2001 Publishers Weekly Used with permission.

In Tuesday (Clarion, 1991), Wiesner demonstrated that pigs could fly. Here, he shows what happens when they take control of their story. In an L. Leslie Brooke sort of style (the illustrations are created through a combination of watercolor, gouache, colored inks, and pencils), the wolf comes a-knocking on the straw house. When he puffs, the pig gets blown "right out of the story." (The double spread contains four panels on a white background; the first two follow the familiar story line, but the pig falls out of the third frame, so in the fourth, the wolf looks quite perplexed.) So it goes until the pigs bump the story panels aside, fold one with the wolf on it into a paper airplane, and take to the air. Children will delight in the changing perspectives, the effect of the wolf's folded-paper body, and the whole notion of the interrupted narrative. Wiesner's luxurious use of white space with the textured pigs zooming in and out of view is fresh and funny. They wander through other stories-their bodies changing to take on the new style of illustration as they enter the pages-emerging with a dragon and the cat with a fiddle. The cat draws their attention to a panel with a brick house, and they all sit down to soup, while one of the pigs reconstructs the text. Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite.-Wendy Lukehart, Dauphin County Library, Harrisburg, PA

Copyright 2001 School Library Journal, LLC Used with permission.