Never Smile at a Monkey: And 17 Other Important Things to Remember

Gr 14A visually stunning book illustrated with cut paper and torn collages. Jenkins's introductory warnings are gently alliterative: "NEVER pet a platypus"; "NEVER touch a tang." The gentleness stops there, however. "NEVER jostle a jellyfish. A box jellyfish, that is. Most jellyfish can sting people, but].If you are unlucky enough to become really entangled with a box jellyfish, you can die very quickly." Readers may enjoy staring deadly danger in the face, knowing that it is distant and rare. They'll also be treated to fascinating facts about creatures like the cassowary, electric caterpillar, cane toad, and puffer fish. Further reading is provided in the back matter, including an explanation of animals' need for powerful protection from their predators in the wild. This exceptionally well-written portion of the book is generously illustrated. The most eloquent of these cut paper and torn collages are on the front and back covers, which feature a rhesus monkey looking solemnly out, and then opening its large mouth filled with scarily sharp teeth. This superlative illustrator has given children yet another work that educates and amazes."Susan Weitz, formerly at Spencer-Van Etten School District, Spencer, NY" Copyright 2009 School Library Journal, LLC Used with permission.

"A visually stunning book illustrated with cut paper and torn collages...This superlative illustrator has given children yet another work that educates and amazes."—School Library Journal, starred review

"With his trademark cut-paper technique, Jenkins proves there may not be a texture that he can't mimic on the page. The high-interest marriage of animals and danger, along with large, vibrant visuals, makes this a prime candidate for group sharing, and additional details and artwork at the end will flesh out some of the finer points for older children."—Booklist

"[Monkey] takes the cheesy appeal of the dangerous-animals hook and makes it thoughtful and inventive without robbing it of its melodramatic charm. . . Crisp and clean detail particularly distinguishes this batch of Jenkins' cut-out-collages, laid out with sharp edges against the white backgrounds, so the soft painterly striations and fibrous mottling stand out all the more."—Bulletin