Memphis, Martin, and the Mountaintop: The Sanitation Strike of 1968

Duncan relays the story of the 1968 Memphis sanitation strike, which was triggered after two black sanitation workers died when their poorly maintained truck malfunctioned. After the incident, Mayor Henry Loeb refused to meet the demands of the newly formed sanitation workers' union for better pay, treatment, and safety standards, and 1,300 men walked off the job. Duncan writes in fervent free verse from the perspective of Lorraine Jackson, a fictional girl whose father joins the strike and who is loosely based on Almella Starks-Umoja, a teacher who marched in strike protests with her parents as a child. Lorraine's narrative is passionate and personal: "My daddy... marched for better pay. He marched for decent treatment. My daddy marched for me." As violence erupts, and Martin Luther King Jr. arrives to deliver his "I've Been to the Mountaintop" speech the day before his assassination, the emotional tenor of Lorraine's story builds, cresting with the strike's settlement: "So much was won. So much was lost. Freedom is never free." Christie's vivid, emotive gouache paintings feature a montage of powerful panoramas and portraits, including those of the protesters, King, and Lorraine's family. Ages 9-12. (Aug.)

Gr 2-5--Duncan tells the story of the 1968 Memphis Sanitation Strike and the assassination of Martin Luther King Jr. through the voice of Lorraine Jackson, an invented character who looks back on her childhood as the nine-year-old daughter of a sanitation worker. The book opens with a poem, beginning simply, "I remember Memphis," and continues mostly in prose, with several pages of poetry in different formats interspersed. The haiku "Omen" is striking amid the longer pages: "Yellow Daffodils. Sixteen inches under snow. King canceled his march." The language throughout is powerful. Christie's Acryla gouache paintings are breathtaking, from the wide white brush strokes in the snowy background of the aforementioned haiku, to the impeccable rendering of Coretta Scott King marching in a widow's veil four days after her husband's assassination. Lorraine is depicted earnestly with braids in bows, and bobby socks. Warm yellows and oranges and cool blues alternate as backgrounds to most full-bleed pages. The text is fully researched, with cited sources, and draws many details from interviews with a Memphis teacher who experienced this moment in history as a child. VERDICT A superbly written and illustrated work. A first purchase for public and school libraries.--Clara Hendricks, Cambridge Public Library, MA