by Charles R Smith (Author) Shane W Evans (Illustrator)
Each day features a different influential figure in African-American history, from Crispus Attucks, the first man shot in the Boston Massacre, sparking the Revolutionary War, to Madame C. J. Walker, who after years of adversity became the wealthiest black woman in the country, as well as one of the wealthiest black Americans, to Barack Obama, the country's first African-American president.
With powerful illustrations by Shane Evans, this is a completely unique look at the importance and influence of African Americans on the history of this country.
WorldCat is the world's largest library catalog, helping you find library materials online.
In recognition of Black History Month, the creators of Black Jack offer 28 capsule tributes to African-American history and culture, spotlighting both celebrated and lesser-known figures, incidents, and legislation. Smith--who, in an introduction, discusses his own "love-hate relationship with Black History Month" and his concerns about "ignoring the other eleven months" of the year--mingles narrative styles to suit his subjects. Eloquent prose passages eulogize Harriet Tubman and businesswoman and philanthropist Madam C.J. Walker, rhythmic free verse celebrates singer Marian Anderson, and energetic poems commemorate such athletes as Wilma Rudolph, Hank Aaron, and Arthur Ashe. Smith also provides relevant primary source material, including excerpts from the Dred Scott decision, Plessy v. Ferguson, and Brown v. Board of Education. Expressively evoking a range of time periods and personalities, Evans's bold, collagelike illustrations pull together penetrating portraits, symbolic backdrops, and dramatic silhouettes. Succinct biographical info, included throughout, further cements the value and utility of the project, both in and out of the classroom. Ages 4-10. Author's agent: Miriam Altshuler, Miriam Altshuler Literary Agency. Illustrator's agent: Rebecca Sherman, Writers House. (Jan.)
Copyright 2014 Publishers Weekly, LLC Used with permission.Gr 2-5--Smith tells readers in an author's note that he has "always had a love-hate relationship with Black History Month." Together with Evans, he presents 28 brief descriptions of crucial people or events in black history, ranging from 1770 to the present. Text formats include poetry, quotations, eulogies, and plays on numbers (a countdown recognizes astronauts Guion Bluford and Mae Jemison). The poetry stands out for its use of concrete form (the poem about tennis players Althea Gibson and Arthur Ashe bounces across the page) and its wordplay (singer Marian Anderson's poem incorporates one of her best-known songs). Expanding on Evans's highly textured Underground: Finding the Light to Freedom (Roaring Brook, 2011) and other works, the collage-style art matches line and color palettes to the mood of each event (for example, Martin Luther King Jr. is shown speaking against a background of outward-expanding lines of yellows and oranges). The physical book sometimes becomes part of the illustration, as when the gutter separates a black family from a white one on the pages about the separate but equal doctrine, and the boundaries between words and pictures are sometimes blurred, as when Jackie Robinson literally hits words such as inequality and prejudice out of the park. A final 29th day challenges readers to make history for themselves, and a bibliography invites further exploration. Highly recommended as a reference book, an example of poetic forms, and a work of art.--Jill Ratzan, I. L. Peretz Community Jewish School, Somerset, NJ
Copyright 2015 School Library Journal, LLC Used with permission."* Fuelded by childhood memories of hearing the same Black History Month stories about the same people and events told the same way over and over, Smith, sought to convey the importance and relevance of African American contributions and milestones in a fresh, engaging manner . . . An inspiring, fresh take on a perennial topic." —Booklist, STARRED REVIEW
"Succinct biographical info, included throughout, further cements the value and utility of the project, both in and out of the classroom." —Publishers Weekly