by Jan Brett (Author) Jan Brett (Illustrator)
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Brett (Home for Christmas) again lavishes attention on the delights and eccentricities of the natural world in this quiet, idiosyncratic addition to her canon of meticulously rendered picture books. Set in the Edwardian era, the story centers on Mossy, a turtle who lives in a pond-side habitat and has moss, ferns, and wildflowers growing from her carapace. Just after Mossy meets and becomes enamored of a turtle named Scoot, a museum curator, Dr. Carolina, brings Mossy indoors to live in a "viewing pavilion with plants, a reflecting pool and everything they thought a turtle would need." Though the turtle is carefully tended to and admired by museum visitors, Mossy misses her outdoor home and Scoot. In a contrived solution, two artists (improbably named Flora and Fauna) paint a portrait of Mossy to immortalize her in the museum before Dr. Carolina and her niece return her to the wild. Filled with beetles, shells, feathers, and other natural phenomena, Brett's signature intricate borders frame gorgeous gouache and watercolor spreads that include handsome period details and some visual surprises. An odd but lovely story. Ages 3-5. (Sept.)
Copyright 2012 Publishers Weekly, LLC Used with permission.PreS-Gr 3--Mossy, an eastern box turtle, lives in the deep shade of Lilypad Pond, and the moss growing on her carapace offers fertile ground for a variety of plants. The garden on her back draws the attention of a local naturalist who takes the oddity to her museum as a living display. Mossy, unhappy and missing her home (as well as her special turtle friend), is returned to the wild after her portrait is painted for a happy ending all around. The sweet, simply written story reiterates an important message of respect for the environment. But this is a book by Jan Brett, so the watercolor and gouache illustrations trump the narrative in the storytelling. Here, the artist's familiar borders hold a field guide's worth of expert paintings: butterflies, mosses, fungi, wildflowers, orchids, feathers, crystals, shells, insects, fossils, and seeds. They frame each spread, and detailed illustrations follow the text and include predictive medallions that introduce characters or secondary plot details. Labeling the small drawings would have increased the curricular use of the title, but this omission does not detract from the book's overall value. Mossy is a beauty.--Lisa Egly Lehmuller, St. Patrick's Catholic School, Charlotte, NC
Copyright 2012 School Library Journal, LLC Used with permission.As a child, Jan Brett decided to be an illustrator and spent many hours reading and drawing. She says, "I remember the special quiet of rainy days when I felt that I could enter the pages of my beautiful picture books. Now I try to recreate that feeling of believing that the imaginary place I'm drawing really exists. The detail in my work helps to convince me, and I hope others as well, that such places might be real."
As a student at the Boston Museum School, she spent hours in the Museum of Fine Arts. "It was overwhelming to see the room-size landscapes and towering stone sculptures, and then moments later to refocus on delicately embroidered kimonos and ancient porcelain," she says. "I'm delighted and surprised when fragments of these beautiful images come back to me in my painting."
Travel is also a constant inspiration. Together with her husband, Joe Hearne, who is a member of the Boston Symphony Orchestra, Jan visits many different countries where she researches the architecture and costumes that appear in her work. "From cave paintings to Norwegian sleighs, to Japanese gardens, I study the traditions of the many countries I visit and use them as a starting point for my children's books."