All Different Now: Juneteenth, the First Day of Freedom

This elegant collaboration by the creators of Lily Brown's Paintings tells of the day that slaves on a Texas plantation learn they are free, more than two years after President Lincoln signed the Emancipation Proclamation. Johnson's graceful poem is narrated by a girl who heads to the cotton fields one June morning with her family and other slaves, unaware "that soon,/ it would all be different." As word spreads, reactions range from serene contemplativeness to elation. Amid the cotton plants, an elderly man cries quietly, several adults bow their heads in prayer, and the girl's mother silently hugs her: "My mama held my hand softly/ and looked beyond,/ as another breeze blew over/ and everything/ fell to a/ hush." Using a lovely, muted palette, Lewis's expressive watercolors convey the impact of the news of freedom, dramatically contrasting the slaves' lives before and after. Initially picturing the slaves toiling "under the hot Texas sun," Lewis later captures their tranquil joy as they gather on a beach in the cool night "as free people." Back matter provides historical context for this powerfully visualized story. Ages 5-9. (May)

Gr 3 Up--Previous picture books about Juneteenth (the holiday celebrating the day slaves were freed in Texas--two years after the rest of the country) have focused on contemporary children discovering this quirk of history. Valerie Wesley's Freedom's Gifts (S. & S., 1997) and Carole Boston Weatherford's Juneteenth Jamboree (Lee & Low, 1995) fall into that category. Johnson imagines what it would be like to be a slave one minute and a free person the next. Spare text, structured as free verse, hones in on the smell of honeysuckle and breakfast routines as the day begins, like any other. The titular phrase appears three times: first to build suspense, then to indicate the earthshaking import of the message spreading from the port, and, finally, to reflect on the consequences. Lewis paints details not mentioned. The protagonist is a girl living in the slave quarters with her siblings and mother. They are working in the cotton fields when the news arrives. Skillful watercolor renderings depict nuanced changes in lighting and focus, thereby capturing individual responses to a community's new reality--from incredulity and quiet contemplation to rapture. Occasional panels indicate passing time; the brilliant clarity of the fields at noon fades to a green-blue gauze over the revelers heading home from a late-night celebration. A time line, glossary, overview, list of websites, and notes by author and illustrator provide deeper understanding. With a narrative notable for its understated simplicity and lack of judgment, this title allows readers to draw their own conclusions. An affecting entree to a challenging conversation.--Wendy Lukehart, District of Columbia Public Library