Shooting Kabul

Gr 5-8—In July 2001, as 11-year-old Fadi and his family hastily board a truck to begin their escape from Afghanistan, six-year-old Mariam lets go of her brother's hand and is tragically left behind. Their arrival in San Francisco is bittersweet as they are all too concerned about Mariam to appreciate their newfound safety and freedom. Fadi struggles with integrating himself into American middle school culture, eventually finding solace in the photography club. Still, he is most concerned with the part he played in losing Mariam and getting her back. A photography contest with the prize of a trip to India seems to be his best means of finding a way back to Afghanistan to help in the search for his sister. This is a sweet story of family unity, and readers will learn about Afghani Pukhtun culture. Occasionally Senzai relies too heavily on telling when showing would be more effective. Also, at times the dialogue seems inauthentic because it contains more historical detail than would be likely among people of the same background. The relevance of occasional references to E. L. Konigsburg's "From the Mixed-up Files of Mrs. Basil E. Frankweiler" (S & S, 1970), which Fadi is reading, is never truly clear. That said, this is a worthwhile book about the immigrant experience in general, and Afghani culture specifically. Fadi is a likable hero who learns from his mistakes, and whose talent allows him to make a unique contribution to finding his sister, for the inevitable happy ending. - Kristin Anderson, Columbus Metropolitan Library System, OH

Copyright 2010 School Library Journal, LLC Used with permission

This hard-hitting, emotionally nuanced first novel views the experiences of a family of Afghan refugees through the lens of 11-year-old Fadi. Fadi's U.S. educated parents repatriated to Afghanistan, only to have the Taliban impose order, ending his mother's career, necessitating homeschooling for the children, and creating a dangerous, oppressive environment. When his mother's health finally forces the family to leave, Senzai portrays the high cost of escape as not just economic (,000, "the family's entire savings") but human, through the shattering loss of Fadi's six-year-old sister, who hesitates to grab a precious Barbie and is left behind. "Fadi looked from the edge of truck's railing in disbelief. His six-year-old sister had been lost because of him." Senzai skillfully focuses Fadi's guilt against the backdrop of this grief and his adjustments to life in Fremont, California's Little Kabul (during 9/11); as Fadi discovers a photography club and contest that might earn him tickets to India, he fantasizes about rescuing his sister. Though cultural, religious, and political pressures persist, the satisfying surprise ending offers the family hope and redemption. Ages 8-12. (June)

Copyright 2010 Publishers Weekly, LLC Used with permission