• Nana Akua Goes to School

Nana Akua Goes to School

Illustrator
April Harrison
Publication Date
June 16, 2020
Genre / Grade Band
Fiction /  2nd − 3rd
Nana Akua Goes to School

Currently out of stock
Description

In this moving story that celebrates cultural diversity, a shy girl brings her West African grandmother--whose face bears traditional tribal markings--to meet her classmates.

It is Grandparents Day at Zura's elementary school, and the students are excited to introduce their grandparents and share what makes them special. Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.

Publication date
June 16, 2020
Classification
Fiction
Page Count
-
ISBN-13
9780525581130
Lexile Measure
-
Guided Reading Level
-
Publisher
Anne Schwartz Books
Series
-
BISAC categories
JUV013030 - Juvenile Fiction | Family | Multigenerational
JUV035000 - Juvenile Fiction | School & Education
JUV011010 - Juvenile Fiction | People & Places | United States - African-American
Library of Congress categories
Grandmothers
Schools
Tattooing
Ghanaian Americans

Publishers Weekly

Starred Review

Zura's school is inviting grandparents to visit, and though her Ghanaian grandmother, Nana Akua, is "her favorite person in the whole universe," Zura is worried that her tribal facial markings will draw unwanted attention. "What if someone at school laughs at you or acts mean?" the child asks. Harrison (What Is Given from the Heart) shows Zura reaching across the table to take Nana Akua's big hand in her two small ones. Once in Zura's classroom, Nana Akua speaks with poise. "I'm sure you noticed the marks on my face.... These marks were a gift from my parents, who were happy and proud that I was born.... I am likewise proud to wear them." She paints Adinkra symbols on the faces of Zura's classmates (a chart listing their meanings is included) in a visit that delights the children and their grandparents. Striking artwork by Harrison gives the characters' faces classic sculptural contours, and the spreads' bold patterns and colors echo a quilt of symbols that Nana Akua made for Zura. Newcomer Walker writes convincingly about how difference can cause unease among children, and her story offers a compelling portrait of a grandmother whose pride and poise put that concern to rest. Ages 4-8. (June)

Copyright 2020 Publishers Weekly, LLC Used with permission.
Tricia Elam Walker
Tricia Elam Walker is the author of the novel Breathing Room, among other publications. She is an award-winning fiction and nonfiction writer, cultural and fashion commentator, and blogger who has written for National Public Radio, the Washington Post, Essence magazine, HuffPost, and more. She practiced law for sixteen years prior to teaching writing in Washington, DC, and Boston. Tricia is an assistant professor of Creative Writing at Howard University and is working on several projects, including children's books, plays, and a second novel.

April Harrison, a renowned folk artist, is the Coretta Scott King/John Steptoe New Talent Award-winning illustrator of Patricia C. McKissack's final picture book, What Is Given from the Heart, which received four starred reviews and which the New York Times Book Review called an "exquisite story of generosity." Her work appears in the public collections of Vanderbilt University, Virginia Commonwealth University Medical Center, the Atlanta Housing Authority, and the Erskine University Museum and in many private collections. Learn more at aprilsonggallery.com.