Mañanaland

This tightly packed, powerful fantasy contains resonant truths.

Another unforgettable work from a master storyteller.

Set in the fictional Latin country of Santa Maria, this richly tiered novel is, at its core, wrenchingly real. Maximiliano Córdoba, almost 12, often wonders "about big and bewildering things," principally why his mother disappeared when he was a baby, but Max's somber Papá refuses to answer any questions. Newbery Honoree Ryan (Echo) infuses the soccer-loving boy's story with mystery based on local myth, closely guarded secrets, and a missing birth certificate. As the boy walks with his solitary Papá, ironically a builder of bridges in their small town, a peregrine falcon appears; legend has it that the falcon annually brings "the ghosts of the hidden ones"--refugees who fled a neighboring country's cruelties with the help of "guardians" who shepherded them to safety through local ruins. The author interlaces this lore with the intricate story of how Max's family played a key role in the real-life drama, and how the boy bravely steps in to carry on that legacy. Lyrical allusions to the heartbreaking reality of life under repressive regimes and Max's belief in the promise of tomorrow fuse the title and plot of this compelling novel, which ends on a reassuring note. Ages 8-12. (Mar.)

Gr 3-6--Eleven-year-old Maximiliano Córdoba lives in Santa Maria village with his father's extended family of stone masons. On the mundane level, he wants to join a fútbol clinic with his friend Chuy, but an abandoned stone tower--La Reina Gigante--makes him wonder about hidden refugees fleeing the neighboring country of Abismo. While Max's father is away, Max encounters a refugee, Isadora, and learns his family are secretly guardians who help people flee to safety. In his father's absence, Max determines to guide Isadora to the next stop with all the dangers that entails, partly to discover information about his long-absent mother. As always, Ryan's strength is in her visually expressive language. Readers can picture the village, the personified tower, and Max's journey through rough country. Poignant, memorable moments are created with just a few sentences. On the other hand, the novel is slow to start. Additionally, the imaginary country construct vies with specific details found in real life such as Catholic churches, fútbol, and a Portuguese water dog. The first half of the novel is an uneasy detente of this paradox. However, as Max and Isadora set out, the imminent danger and their growing friendship will pull readers fully into this world and make Ryan's story feel solid. VERDICT A gem of a story with timely messages whose main audience is educators and contemplative children. Nevertheless, a required purchase.--Caitlin Augusta, Stratford Library Association, CT