Kampung Boy

Malaysian comics creator Lat makes his American debut with this down-to-earth account of childhood in a Southeast Asian kampung, or village. His black-and-white text resembles a chronological sketchbook, with stilt-houses and jungle plants inked on each page, and handwritten text explaining events and customs. Impatient readers might wish for a glossary or map: "I was born in a kampung in the heart of the world's largest tin-mining district -the Kinta Valley in Perak," says the narrator, and leaves it at that. But most will enjoy the protagonist's casual chronicle of rites of passage such as a hair-shaving ceremony ("adat cukur kepala"), lessons in the Koran at age six, the Bersunat (circumcision) ceremony at age 10, and a trip to the movies circa 1960. From the window of his house, he sees a rubber plantation and hears the "distant roaring sound... of a tin dredge." Later, Constable Mat Saman, a Barney Fife -like zealot toting an automatic rifle, chases villagers who pan the river for saleable tin scraps. Lat's adults have narrow chests and slouch pelvis-first, while mischievous children canoe, dive and fish in the river. This first in a projected series ends on a to-be-continued note, with the narrator leaving for boarding school and already homesick for the kampung. Lat's loose, laid-back stories of Muslim family life and school should appeal to Marjane Satrapi fans; with humor and affection, Lat makes the exotic kampung feel familiar. All ages. "(Sept.)" Copyright 2006 Publishers Weekly Used with permission.

Gr 4 Up"Kampung Boy" is a pleasure to read. It follows the early life of a Muslim boy growing up in a tiny town in Malaysia during the 1950s. Incidents are well chosen and illuminating, including the rituals surrounding birth, the solidity and pride of family, the joy of skinny-dipping, and the fanfare of a traditional circumcision ceremony. All are handled tastefully and with nostalgic reverence. Illustrations are simple, yet emotionally expressive and charming. As engaging as any travelogue, the book uses universal themes to connect readers to a time and place that may very well no longer exist, but sincere reflection and honest details will draw them into this other world and win their hearts. American audiences are lucky to finally receive this international classic."Dawn Rutherford, King County Library System, Bellevue, WA" Copyright 2006 School Library Journal, LLC Used with permission.

"Kampung Boy is a pleasure to read. . . . American audiences are lucky to finally receive this international classic." —Library Journal

"The story has a warm assumption of insider status and an emphasis on universally understandable experiences (horsing around with friends, evading authority) that makes it a more intimately involving tale than those that carefully explain their daily realities to distant readers. . . . This companionable chronicle achieves that rare thing in an international title: making readers feel like they're hanging out with a friend halfway around the world." —The Bulletin of the Center for Children's Books, Starred Review

"A sweetly naturalistic memoir, this non-traditional graphic novel breaks free of the conventional boxy panel layout to richly extend the black and white illustrations over the pages, with most pages containing a single scene. The art is highly detailed, letting the reader linger over each page, enjoying the feel of experiencing life in another country. . . . Intriguing and edifying." —Kirkus Reviews

"[Readers] will enjoy the protagonist's casual chronicle of rites of passage such as a hair-shaving ceremony ('adat cukur kepala'), lessons in the Koran at age six, the Bersunat (circumcision) ceremony at age 10, and a trip to the movies circa 1960. . . . With humor and affection, Lat makes the exotic kampung feel familiar. All ages." —Publisher's Weekly

"Lat is a superstar in Asia where his artwork is collected avidly. [His] tasteful, laid back style that matches the time and the place perfectly. This is one of the few books that feature historical details about Muslims in an easily approachable style." —The Michigan Reading Journal

"Lat reminds readers on every page of the energy and delight of childhood. The book breathes life into the themes of loyalty, ecology, family values, and societal customs. . . . The original and exceptional artwork is sweet, playful, expressive, and energetically animated. It is a delightfully fun read." —VOYA

"Everything is wonderfully detailed in [Lat's] scribbly black-and-white sketches; each page is crammed with heavy inked action scenes, which are explained in simple but eloquent prose. . . . Filled with humor and affection, the book is a delight; readers will enjoy it not only as an introduction to a well-known Southeast Asian artist but also a story of boyhood that encompasses both universals and the specifics of a time and place." —Booklist

"This is the type of graphic novel librarians will love. . . . Younger readers will like Lat's cartoon-y style, which emphasizes facial features and movements; the art reminds me of Matt Groening (who has a blurb on the cover). Kampung Boy contains cartoon nudity (no genitals) and is recommended for junior high and high school collections." —Kliatt