by Mitali Perkins (Author) Lavanya Naidu (Illustrator)
In the timely yet timeless picture book Home Is in Between, critically acclaimed author Mitali Perkins and illustrator Lavanya Naidu describe the experience of navigating multiple cultures and embracing the complex but beautiful home in between.
Shanti misses the warm monsoon rains in India. Now in America, she watches fall leaves fly past her feet.
Still, her family's apartment feels like a village: Mama cooking luchi, funny stories in Bangla, and Baba's big laugh. But outside, everything is different - trick-or-treating, ballet class, and English books.
Back and forth, Shanti trudges between her two worlds. She remembers her village and learns her new town. She watches Bollywood movies at home and Hollywood movies with her friends. She is Indian. She is also American. How should she define home?
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Shanti's story starts when her family leaves their village in India for an American town "with cold rain and orange and yellow leaves," and she begins to move back and forth between both cultures: "Remembering the village./ Learning the town./ Again and again./ In Between." At home, her mother teaches her traditional Indian dance; in town, her friend Tonya, who is Black, takes her to ballet. "Baba taught Shanti Bangla letters"; she reads him The Little Engine That Could in English. Her blue toy elephant accompanies her everywhere, a whimsical, consistent presence. One day, she hits a point of exhaustion: "If only her friends could learn the village./ If only her parents could learn the town./ Again and again./ In Between." Yet Shanti's soon ready to go on: "She was good at making/ anywhere feel like home./ Especially here./ In the space between cultures." Animation-style characters by Naidu (Susie Will Not Speak) reflect emotion clearly, while straightforward writing by Perkins (Between Us and Abuela) shows how Shanti learns to appreciate aspects of her new life while keeping people and elements from her old one close to her heart. Ages 3-6. (Feb.)
Copyright 2021 Publishers Weekly, LLC Used with permission.K-Gr 4--Perkins explores a child's experience of immigration in a sweet and child-friendly story presented in a beautifully illustrated package. Readers meet young Shanti, a girl with brown skin and black pigtails, as she and her parents leave their village in India and relocate to a "town" in the United States. Shanti moves back and forth between cultures, first skipping, then running, then trudging. These changing action words are a metaphor for the labor of navigating between two sides of one's self. Perkins shows cultural examples: the familiarities of the village carried over in food, music, and household habits, along with the new sports, language, and holidays of the town. A refrain repeats: "Remembering the village. Learning the town. Again and again. In between." There are endearing moments. Shanti makes a new friend quickly and enjoys learning with her about town life. But she also struggles with school, misses family, and is the target of microaggressions. The range of emotions shows on her face: excitement, longing, frustration, comfort, and defeat. Naidu's animated style, with bright popping colors, expands on what Perkins leaves untold in her short poetic stanzas and careful words. As the harshness and unfamiliarity of the winter melt away, Shanti feels the warmth of the spring and determines to make her home in a space between cultures. The book ends with a glossary of Bangla words, and an author's note about her own immigrant experience, and her framing of code switching and biculturalism as a gift and a superpower. VERDICT This book can serve as either a validating mirror or an illuminating window. A warm read-aloud, it is a must-purchase for all picture book collections.--Clara Hendricks, Cambridge P.L., MA
Copyright 2021 School Library Journal, LLC Used with permission.A Junior Library Guild Selection!
Perkins explores a child's experience of immigration in a sweet and child-friendly story presented in a beautifully illustrated package . . . This book can serve as either a validating mirror or an illuminating window. A warm read-aloud, it is a must-purchase for all -picture book collections. —School Library Journal, starred review Animation-style characters by Naidu (Susie Will Not Speak) reflect emotion clearly, while straightforward writing by Perkins (Between Us and Abuela) shows how Shanti learns to appreciate aspects of her new life while keeping people and elements from her old one close to her heart. —Publishers Weekly, starred review National Book Award finalist Perkins' picture book depicts a tale of immigration and adaptation . . . Kolkata-born, Australia-based Naidu's illustrations are light and full of motion, reinforcing both the book's tone and its content. Shanti's expressions, including wonder, frustration, and exhaustion, are particularly emotive.The book will appeal particularly to children and families navigating this space between cultures. —Kirkus Reviews The book compactly conveys the pressure of juggling and code-switching even if there's joy to be had in both cultures. There's a bit of a Dora the Explorer vibe to the cartoonish digital illustrations, which will appeal to viewers, and there are plenty of observant and humorous details; audiences will want to look out for Shanti's beloved toy blue elephant, who appears alongside her in most scenes. —Bulletin of the Center for Children's Books (BCCB)Mitali Perkins has written novels for young readers, including You Bring the Distant Near (a National Book Award Nominee, a Walter Honor Book, A South Asia Book Award Winner, A Publishers Weekly Best Book of the Year, and a Shelf Awareness 2017 Best Book of the Year), Rickshaw Girl (a NYPL Top 100 Book) and Bamboo People (an ALA Top 10 YA novel). Mitali was born in India and currently resides in Northern California.
Sara Palacios is the recipient of the 2012 Pura Belpré Illustrator Honor Award. A native of Mexico, Sara graduated from the National Institute of Fine Arts in Mexico City and went on to earn BFA and MFA degrees in Illustration from the Academy of Art University in San Francisco. Her books include How to Code a Sandcastle and How to Code a Rollercoaster.