by Zana Fraillon (Author)
"Indispensable." -- Booklist (starred review)
Subhi is a refugee. He was born in an Australian permanent detention center after his mother and sister fled the violence of a distant homeland, and the center is the only world he knows. But every night, the faraway whales sing to him, the birds tell him their stories, and the magical Night Sea from his mother's stories brings him gifts.
As Subhi grows, his imagination threatens to burst beyond the limits of the fences that contain him. Until one night, it seems to do just that. Subhi sees a scruffy girl on the other side of the wire mesh, a girl named Jimmie, who appears with a notebook written by the mother she lost. Unable to read it herself, Jimmie asks Subhi to unravel her family's love songs and tragedies that are penned there.
Subhi and Jimmie might both find comfort -- and maybe even freedom-as their tales unfold. But not until each has been braver than ever before and made choices that could change everything.
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Gr 5 Up--Subhi knows only life in the Australian refugee detention center where he was born, and lately, things are getting worse. His mother is increasingly lethargic, older sister Queeny is bossy and angry, and his best friend Eli has been transferred to the single men's compound. The Jackets (guards) are unfriendly, except for Harvey, who occasionally brings presents and diversions. It's at this low point that Subhi meets Jimmie, a local child who finds her way into the camp. Jimmie's mother has died, and between her father's grief and his erratic work schedule, she is alone for long periods. Jimmie can't read, so she asks Subhi to read aloud her mother's notebooks, which contain stories from her mother's past. The unrelenting conditions of the camp result in a tragic situation that impacts both children. Fraillon creates a complex narrative, weaving tales from Subhi, Jimmie, and the notebooks. The characters and situations are portrayed realistically--once Eli has gone, Subhi cannot withstand the bullying of some of the older boys and is pressured into an act of animal cruelty. Kind guard Harvey is also shown to be unable to deal with peer pressure. While the book is fictional, the author based it on research and reports of life in Australian detention centers, where conditions are grim. Readers will come away with a raised awareness of life in such centers, but why these facilities exist is not discussed. Students may be inspired to do their own research on organizations working to better the lives of refugees. VERDICT A thought-provoking and affecting selection that highlights a current situation in many countries. Hand to readers who appreciated Linda Sue Park's A Long Walk to Water.--Michelle Anderson, Tauranga City Libraries, New Zealand
Copyright 2016 School Library Journal, LLC Used with permission.Subhi hangs on his mother's stories of her life in Burma as a Rohingya, a persecuted ethnic Muslim minority. Subhi's Maa (mother) and his older sister were among the Rohingya exiled from their homeland and relegated to a detention center in Australia, where he was born. The 10-year-old's imagination helps him survive in a refugee camp ruled by abusive guards as he watches Maa sink into catatonia and waits in vain for the arrival of his father, an outspoken poet. Australian author Fraillon crafts a harrowing vision of life in the detention center (shoes are rarities, rats and mold are rampant, children race lice for fun), yet Subhi finds solace in sensitively portrayed friendships with a rebellious older boy, a compassionate guard, and an intrepid girl named Jimmie who sneaks into the camp to hear Subhi read stories her late mother recorded in a notebook; though most of the story is told from Subhi's first-person perspective, several third-person chapters focus on Jimmie's life outside the camp. While addressing themes of loss, desperation, and injustice in an all-too-relevant setting, Fraillon's resonant novel underscores the healing power of story. Ages 9-12. Agent: Claire Wilson, Rogers, Coleridge & White. (Nov.)
Copyright 2016 Publishers Weekly, LLC Used with permission.