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Description
There is a skeleton in the Mattatuck Museum in Connecticut. It has been in the town for over 200 years. In 1996, community members decided to find out what they could about it. Historians discovered that the bones were those of a slave name Fortune, who was owned by a local doctor. After Fortune's death, the doctor rendered the bones. Further research revealed that Fortune had married, had fathered four children, and had been baptized later in life. His bones suggest that after a life of arduous labor, he died in 1798 at about the age of 60. Merilyn Nelson wrote The Manumission Requiem to commemorate Fortune's life. Detailed notes and archival photographs enhance the reader's appreciation of the poem.
Publication date
November 01, 2004
Genre
Non-fiction
ISBN-13
9781932425123
Guided Reading Level
Y
Publisher
Wordsong
Series
Coretta Scott King Honor - Author Honor Title(s)
BISAC categories
JNF018010 - Juvenile Nonfiction | People & Places | United States - African-American JNF042000 - Juvenile Nonfiction | Poetry | General JNF052020 - Juvenile Nonfiction | Social Science | Customs, Traditions, Anthropology
Library of Congress categories
African Americans Slaves American poetry Slavery Connecticut Young adult poetry, American Colonial period, ca. 1600-1775
School Library Journal
Starred Review
Gr 6 Up-This requiem honors a slave who died in Connecticut in 1798. His owner, a doctor, dissected his body, boiling down his bones to preserve them for anatomy studies. The skeleton was lost and rediscovered, then hung in a local museum until 1970, when it was removed from display. The museum began a project in the 1990s that uncovered the skeleton's provenance, created a new exhibit, and led to the commissioning of these six poems. The selections, which incorporate elements of a traditional requiem as well a New Orleans jazz funeral, arc from grief to triumph. A preface lays out the facts of Fortune's life, followed by "Dinah's Lament," in which his wife mourns the husband whose bones she is ordered to dust. Other pieces are in the voices of Fortune's owner, his descendants, workers, and museum visitors. The penultimate "Not My Bones," sung by Fortune, states, "What's essential about you/is what can't be owned." Each page of verse faces a green page containing text and full-color archival graphics that lay out the facts of Fortune's story. This volume sets history and poetry side by side and, combined with the author's personal note on inspirations, creates a unique amalgam that can be confusing at first. Subsequently, however, the facts inform the verse and open up a full appreciation of its rich imagery and rhythmic, lyrical language. The book brings the past to life and could make for a terrific choral reading.-Nancy Palmer, The Little School, Bellevue, WA Copyright 2004 School Library Journal, LLC Used with permission.