by Roman Yasiejko (Author) Gustavo Ramos (Illustrator)
Follow the clues to reveal an unexpected surprise in this rhyming mystery read-aloud! Eyes wide with surprise and necks twisting to see, two owls whoo-hooted, Now who could that be?
When a mysterious bird crashes into a tree, two curious owls--Cahoots and Whoodini--set out to investigate. They fly down to interview their barnyard friends, but after gathering all the clues, they're still stumped . . . until Whoodini overhears an unexpected hint. Clever clues, teamwork, and a delightful surprise ending await young detectives in this charming mystery
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Clad in hats and capes fit for Holmes and Watson, owl sleuth Whoodini and sidekick Cahoots pursue a farmyard mystery in Yasiejko's debut, a rhyming story given cinematic drama by Brazilian newcomer Ramos. Faced with an unknown feathered entity that has crash-landed in a tree near two owls, the duo sets to work collecting witness statements. "It dipped and it flipped! Then it looped in a ring!/ But what kind of bird could have done such a thing?" asks a nattily dressed pig. It's not until the owls listen in on a conversation between the farmer and his young granddaughter, both portrayed with light skin, that Whoodini unravels the mystery, whose solution is soon revealed to readers. Ramos lavishes energy on acrylic and gouache spreads, filling in every corner with texture and lighting effects: illumination from the setting sun, light spilling through windows, and a glowing lantern. Though the rhyming lines sometimes prove distracting, this small-scale, child-friendly whodunit provides a satisfactorily puzzling quandary, and proves Ramos an illustrator to watch. Ages up to 8. Illustrator's agent: Mohamed Danawi, Illozoo Agency. (Feb.)
Copyright 2021 Publishers Weekly, LLC Used with permission.Gustavo Ramos is a visual artist. He was born in Brasilia, Brazil, and currently lives in Curitiba. He graduated from UTFPR (Federal Technological University of Paraná) and the Savannah College of Art and Design, in the United States. Gustavo chose to produce each of the illustrations for this project with techniques of acrylic paint and gouache on paper, in order to respect the organicity of each brush stroke.