Hana Hashimoto, Sixth Violin

Inspired by her talented violinist grandfather, Hana signs up to perform at the school talent show--never mind that she's only had three lessons so far. Hana's brothers mock her, her parents listen attentively as she practices, and on the day of the talent show, Hana's uncertainty gives way to inspiration. Uegaki (Rosie and Buttercup) and Leng (Norman, Speak!) are a well-matched and complementary pairing. Uegaki's prose is dense with detail-rich imagery--during a visit to Japan to stay with Ojiichan, "the clear, bright notes" of her grandfather's violin "would drift upstairs, through the shoji screen doors to where Hana slept on sweet-smelling tatami mats, and coax her awake as gently as sunshine." Leng's digitally colored pencil drawings have the airiness of a violin solo, while still capturing the emotions Hana wrestles with as her performance looms. When she first approaches the microphone, she's seen crossing an expansive, empty stage, a tiny figure in a red dress against a foreboding sea of gray. Hana's clever triumph is testament to her inventiveness, perceptiveness, and dedication. Ages 4-8. Illustrator's agency: Shannon Associates. (Aug.)

K-Gr 2--During a summer visit to Japan with her older brothers, Hana Hashimoto listens attentively to the music of her grandfather. Each day, Ojiichan practices classical music he performed as a violist with a symphony, and in the evening, he creates sounds like crickets chirping or raindrops falling on umbrellas. Back home, Hana starts studying violin and after only three lessons signs up for the school talent show. Despite her brothers' teasing, she practices diligently and overcomes last-minute jitters for a unique performance of sound effects that are inspired by Ojichan's playing but that definitely are her own creations. This low-key story melds a number of themes without didacticism. Hana's determination, hard work, and creativity are bolstered by her connections to her grandfather and supportive parents. Even her brothers ask for after-dinner encores following her success. Leng's illustrations incorporate musical notes that link the lives of the grandfather and granddaughter. The illustrations also capture Hana's emotions, particularly during the talent show. First, the stage stretches endlessly before her until she spots friends and family in the audience, then she imagines Ojiichan's encouraging presence. The quiet story would make a fine addition to most libraries.--Kathy Piehl, Minnesota State University Library, Mankato