Feivel's Flying Horses

The team responsible for "Mendel's Accordion" (2007) again shines a light on a small but significant corner of the late 19th-century Jewish immigrant experience. Feivel, like many immigrants, has come to America alone, with dreams of making enough money to send for his family to follow. In the Old Country, Feivel carved magnificent arks for synagogues; on the Lower East Side, his talent is put to more prosaic use, creating furniture and the occasional ladies' comb. But on a trip to Coney Island, Feivel discovers a new calling as a carver of carousel horses (a historical note offers information about Feivel's real-life counterparts). One could argue that Hyde and van der Sterre put too much gloss on the immigrant experience: readers get little sense of Feivel's inner life, and the ink and watercolor pictures make the Lower East Side and Coney Island look like they've been subjected to a Jewish mother's relentless scrubbing. But once the story shifts to the carousel workshop, and the elaborate, lyrical horses take center stage, the redemptive powers of faith, family, and creativity coalesce into a touching tale. Ages 59. "(Mar.)" Copyright 2010 Publishers Weekly Used with permission.

Gr 13As the chief apprentice in Mr. Nathanson's Coney Island carousel shop, Feivel lovingly remembers his wife and children in the old country as he designs and carves wooden horses. He creates a glorious horse with a long, golden mane for his wife, Goldie; a proud, regal beast for his eldest son, Hershel; a gentle creature whose bridle is etched with deer for his son Shmuel; a lively and graceful horse adorned with flowers and ribbons for his daughter Sasha; and a beautiful pony ornamented with hundreds of glittering glass jewels for his baby, Lena. By the time the carousel is complete, Fievel has earned enough money to bring his family to America. When they are finally reunited, the happy family rides the carousel together. The historical note details the contributions of eastern European Jewish immigrants, once wood carvers of synagogue arks and Torah scrolls, who used their talent to create magnificent carousel horses enjoyed by generations of children. Watercolor illustrations with ink lines illustrate the immigrant experience on New York's Lower East Side in the late 1800s and help bring to life the magic of Coney Island. Like this team's "Mendel's Accordion" (Lerner, 2007), this story celebrates the richness of the Jewish American experience."Rachel Kamin, North Suburban Synagogue Beth El, Highland Park, IL" Copyright 2010 School Library Journal, LLC Used with permission.

"The team who created Mendel's Accordion (2007) offers another historical picture book celebrating the Jewish immigrant experience. Feivel leaves his wife and four children behind in the Old Country when he comes to New York. A wood carver by trade, he is hired to create carousel horses for a Coney Island amusement park. Thinking of the family he has left behind, Feivel fashions steeds for his wife and children, inscribing each masterpiece with a name. Van der Sterre's ink-and-watercolor illustrations offer a pleasantly nostalgic look at life in New York's Lower East Side and Brooklyn's Coney Island during the late 1800s. The scenes are rich with street details and the beautifully crafted horses. An appended note explains about several real eastern European Jewish synagogue ark carvers who found work in the U.S. as carousel carvers. Slightly older audiences will also enjoy Deborah Lee Rose's The Rose Horse (1995), which touches on the carousel carvers and is set in Coney Island's Jewish community of the early twentieth century."
—Booklist

—Journal