by Supriya Kelkar (Author)
From the author of American as Paneer Pie comes a magical middle grade adventure steeped in Indian folklore following a girl who learns how to find her voice and face her fears.
Ten-year-old Geetanjali doesn't mind singing, but she knows she'll never be as good as her mother, Aai, or grandmother, Aaji, famous classical singers from India whose celebrity has followed the family all the way to their small town of Deadwood, Michigan, where Geetanjali lives with her aai, and father, Baba.
After freezing on stage during a concert performance, Geetanjali adds "fear of singing" to her list of fears, a list that seems to be multiplying daily. Aai tries to stress the importance of using one's voice and continuing to sing; Geetanjali hopes that when her Aaji, comes to visit this summer, she'll be able to help her.
But when they pick Aaji up at the airport, she's not alone. Lata, an auntie Geetanjali has never met before is with Aaji and their neighbor, Heena Auntie, who is acting strange and mean, and not like the warm auntie she normally is.
Lata Auntie has heard all about Geetanjali's family, growing up in India. She knows Aai and Aaji are the only ones who can sing raag Naagshakti. Aai plays it off, but Geetanjali thinks back to the raag in the binder that started with an N that had been torn out. She has never heard of Raag Naagshakti, which sounds like it is about the power of cobras.
Geetanjali is determined not to let her imagination get the best of her and add aunties to her list of fears, but she can't help but wonder about the connection between the missing raag, Heena Auntie's cold behavior, and their interesting summer visitor.
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Though her maternal family have long been famed Hindustani classical singers in India, rising sixth grader Geetanjali struggles to vocalize publicly. She feels ill-prepared to sing with white best friend Penn at their small Michigan town’s summertime festival, she fails to intervene when a younger schoolmate is bullied for public singing, and the arrival of her visiting grandmother, Aaji, from Pune, signifies a family performance that she’s not ready to join. Geetanjali’s reluctance to practice with Penn, or attempt most anything that scares her, drives him closer to a new kid who easily calls out injustice. Worries about Aaji’s visible aging and her mother’s focus on Geetanjali’s baby brother soon spiral into further uncertainty around local events: a warmhearted neighbor starts acting strangely after her husband’s death, a newcomer asks Aaji to sing a song whose vibrations attract cobras, and dead mice start turning up with visible puncture marks. Are the threats triggered by baseless fears, or are they clues that portend more? Kelkar (Strong as Fire, Fierce as Flame) centers Indian culture and folklore in a first-person narrative that keenly describes oppressive feelings of guilt and anxiety. Seemingly random details culminate in a layered conclusion that vindicates a persevering heroine realizing her own strength.
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