There Was a Party for Langston

PreS-Gr 3--Reynolds and the Pumphreys sharpen all their tools for this one, throwing word art like clouds into the sky and regaling readers with scene after scene of the finest guests--Amiri Baraka, Maya Angelou, and so many more--who have come to Harlem's Schomberg Center for Research in Black Culture for one reason: to celebrate the opening of the Langston Hughes Auditorium in February 1991. And this is some party. There is music. There is food. There is the feeling that everyone who is anyone is on board. Reynolds explains in an author's note that he was inspired to dig a little deeper by a black-and-white photograph of Baraka and Angelou doing the boogie at the event. He calls Hughes the king of letters, "whose ABC's became drums, / bumping jumping thumping/ like a heart the size of the whole wide world" and the pictures bump jump thump along with the text. Joy like jazz falls off the page into readers' laps with every spread flashing back through time to Hughes's Ohio childhood, Harlem, America, the world, interiors, exteriors, the party, the people, the famous Black faces, and more. "And all the books on the shelves were listening and looking at all the people, shimmying, full of dazzle./ Don't nobody dance like a word maker./ And all the best word makers were there." This book is an absolute textual and pictorial glory of people, places, word-making, song-singing, storytelling, history-making moments, and images that are unforgettable. VERDICT A beguiling, bedazzling collaboration that will send children to the shelves to learn more about all the names within, especially Hughes.--Kimberly Olson Fakih

The creators' high-stepping testament to the enduring cultural influence of Harlem Renaissance poet Langston Hughes (1901-1967) begins with the promise of a party: "a jam in Harlem to celebrate the word-making man." Rhythmic lines from Newbery Honoree Reynolds, making his picture book debut, aptly describe Hughes as "the best word maker around./ Could make the word MOTHER feel/ like real warm arms wrapped around you." In illustrations rendered with handmade stamps, Ezra Jack Keats Award Honorees the Pumphrey brothers apply stylized typography throughout, as on a page in which mother makes up the figure of a parent embracing a child. In the run-up to the party, pages hint at Hughes's ability to turn words into laughter that "rang out/ for years and years." And so, in 1991 at the NYPL's Schomburg Center for Research in Black Culture, "a fancy-foot,/ get-down,/ all-out bash" is held in the poet's honor. There, the works of other Black writers peer out from book spines, and literary successors Maya Angelou and Amiri Baraka dance "like the best words do, together." Melding celebratory text and kinetic, graphical art, the creators underscore the power of the subject's poetry to move and to inspire. Figures are portrayed with brown skin throughout. An author's note concludes. Ages 4-8. Author's agent: Elena Giovinazzo, Pippin Properties. Illustrators' agent: Hannah Mann, Writers House. (Oct.)