by Matt Faulkner (Author) Matt Faulkner (Illustrator)
"Evocative prose and illustrations bring to life...[the] heart-wrenching decisions and considerations that Japanese Americans had to face...[and] their endurance, sacrifices, and resilience, even as their loyalty was questioned without cause." --Susan H. Kamei, author of When Can We Go Back to America?
Told in a brilliant blend of prose and graphic novel, this unforgettable middle grade story about a Japanese American family during World War II is written and illustrated by Asian/Pacific American Award for Literature winner Matt Faulkner.
Manzanar is nothing like home. Yet the relocation center is where Mari and her family have to live, now that the government has decided that Japanese Americans aren't American enough. Determined to prove them wrong, Mari's brother Mak has joined the army and is heading off to war. In protest, Mari has stopped talking for the duration of the war. Or at least until Mak comes home safe.
Still, Mari has no trouble expressing herself through her drawings. Mak, too, expresses himself in his letters home, first from training camp and later from the front lines of World War II, where he is fighting with the 442nd Regimental Combat Team. But while his letters are reassuring, reality is not: Mak is facing danger at every turn, from racism within the army to violence on the battlefield.
In turns humorous and heartbreaking, Mari and Mak's story will stick with readers long after the last page.
WorldCat is the world's largest library catalog, helping you find library materials online.
It's 1944, World War II is raging on, and in the wake of the attacks on Pearl Harbor, Mari and her family have been interned at Manzanar War Relocation Center for over a year because they are Japanese American. When Mari's brother and best friend Mak turns 18, he joins the U.S. Army, devastating Mari and infuriating his father. Frequently described as "abnormal," Mari takes a vow of silence until either the war ends, or Mak comes home. While her brother is away, Mari tells readers her story through a first-person narrative. She shares her thoughts on her neighbors like the Clucking Sisters and Oba-Chan Yuki and describes daily life in the camp, from art classes with other camp children to lending a helping hand at Manzanar's orphanage. The most important part of Mari's day is whenever she gets the chance to draw. Drawing is her passion, something she can do when the world doesn't make sense and it's a way to relate to others. While away, Mak writes often, regaling her with tales from bootcamp and later on the European front. However, readers catch a glimpse into the reality of Mak's life as a soldier through graphic novel interludes, where black-and-white comic panels bring his true experiences to life. Assigned to an all-Japanese American battalion, he finds every aspect of his enlisting informed by prejudice and discrimination. A combination of narrative fiction and graphic novel, this hybrid delivery of a brave story depicts the Japanese American experience during World War II and will be a hit with reluctant readers.
VERDICT At times heartbreaking and other times hopeful, this story of the power of family and ugliness of hate is a first purchase for any library and a must-read for students who enjoy historical fiction or graphic novels.-Maryjean Riou--School Library Journal "October 2022"Copyright 2022 School Library Journal, LLC Used with permission
Faulkner ( Gaijin: American Prisoner of War) employs stunningly realistic b&w comics spreads and aching prose to deliver a forthright account of one Japanese American family during WWII. Ten-year-old Mari Asai and her older brother Mak live in Manzanar, a Japanese internment camp in California. When Mak enlists in the U.S. Army against their father's wishes and is deployed, Mari, frustrated with her family's infighting, vows not to speak until Mak returns. She seeks solace in her art and in the letters that Mak sends home, which describe his experiences in basic training and during overseas conflict, though he attempts to mask the brutality of war through lighthearted anecdotes ("The food here is even worse than at Manzanar. Lots of beans and root veggies. And SPAM! Blech!"). During his absence, Mari buckles emotionally under Manzanar's increasingly squalid conditions. Faulkner's digital art mimics pencil sketches; delicate line work portrays intimate character close-ups while bolder strokes splay across full-spread battle scenes. Via Mari's earnest narration, her and Mak's stories interweave, showcasing with candid clarity the cruelty both siblings endure. A vividly wrought, necessary exploration of Japanese American history. Ages 10-up. (Oct.)--Publishers Weekly "9/05/2022"
Copyright 2022 Publishers Weekly, Used with permission