Emergency Quarters

PreS-Gr 3-Ernesto's mom gives him a quarter each morning as he leaves for school so he can use a pay phone to call if there is an emergency. The quarters gather in his pocket as the week passes by. Each day there is another temptation to spend them-on baseball cards, at the arcade, for a snack. Readers will be amazed at Ernesto's willpower and wonder how long it will last. When he finally does use the quarters to purchase a delicious empanada while he is waiting on his friend Raoul's haircut, he tells his mom, "There was an emergency at the barbershop." Zhang's vibrant gouache and watercolor illustrations capture the lively urban setting of this memory from the author's childhood. Warm, rich colors of terracotta tiles, ocher walls, and red chairs in Ernesto's home are echoed throughout the storefronts and interiors. Elevated trains, food trucks, street vendors, and small shops are all part of the neighborhood he and his friends walk through each day on the way to school, Little League games, and home again. Latinx references add to the diverse setting with the sound of tamboras and marimbas from car speakers, vendors selling tamales and "jugos de frutas," and the presence of neighbors such as Señora Mayra and Doña Tania. VERDICT A cozy step back into the past with a visual style reminiscent of Ezra Jack Keats, this book is sure to be a conversation-starter and a hit for story time.

Copyright 2024 School Library Journal, LLC Used with permission. 

A note to the reader opens this sparkling children’s debut from Matias, who notes that before kids had cell phones, they used the pay phones once ubiquitous on city sidewalks, where each call cost a quarter. When Ernesto leaves for his inaugural day of school, walking for the first time without his parents, his dream to be a niño grande is fulfilled. But his mother still presses a quarter into his hand every morning: "For emergencies." While his peers spend their pocket money, Ernesto holds onto his daily quarters, refusing to part with them for the treats at Señor José’s bodega or the tamales from Doña Tania’s truck, all painted in a beguiling, inky mix of energy and intimacy by Zhang (When Rubin Plays). "These quarters are for emergencies," Ernesto explains, knowing that "each one is special." But on Saturday, an "emergency" at the barber shop-one quite different from the one readers may have envisioned-offers an opportunity for independent decision-making. The creators convey bustling, life-giving bursts of sight, sound, taste, and smell as they detail Ernesto’s Dominican family, his Queens community, and his own canny balancing of prudence and pleasure. Ages 4-8. 

Copyright 2024 Publisher's Weekly, LLC Used with permission.