by David Sedaris (Author) Ian Falconer (Illustrator)
A hilariously quirky monster tale about appreciating beauty--in all its weird and wonderful forms!-- by the creator of the iconic Olivia books and bestselling humorist David Sedaris.
Sedaris and Falconer make a spectacular splash with this tale of a monster turned ugly--stuck with a human face!
In this beautifully gross picture book, Anna Van Ogre's lovely monster face turns into that of a sickeningly adorable, rosy-cheeked little girl--and it's not switching back! Can she find a way to stop looking like an ugly human and regain her gorgeous monstrosity of a face?
In this incredible story about beauty standards, owning your uniquessness, and developing self-esteem, nationally acclaimed comedian and perpetual bestelling author David Sedaris and renowned creator of the Olivia picture boook series Ian Falconer come together to ponder the eternally relevant question: is true beauty really on the inside?
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This adapted fable by Sedaris (Me Talk Pretty One Day) and the late Falconer (the Olivia series), reworked from a Little Lit anthology comic, is now an elegant standalone that showcases the creators' urbane morality. Anna Van Ogre is the apple of her monstrous family's eye. "That's our girl," says Grandma when Anna talks with her mouth full of nails. But though the young ogre successfully stomps on flowers and tosses dirt into the family home, her penchant for making adorable "scary" faces ("I'm a bunny!") is her undoing. Ignoring her mother's warnings, Anna finds her features stuck in the scariest face of all: a plump-cheeked, wide-eyed, pigtailed human kid. "Real beauty is on the inside," assures Grandma, but other ogres' contempt results in the child running away, until Anna takes Grandma's wisdom in hand, quite literally. Sticking her arm down her throat, she turns herself inside out, becoming a gorgeously grotesque creature--think Bruegel meets Tales from the Crypt--with beet-red, veiny skin, bulbous eyes, and wrinkly brain atop her skull. It's a happy resolution for all, including any reader who craves a celebration of individuality with a high yuck quotient. Skin tones take the white of the page. Ages 5-7. (Feb.)
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